Seats for our remaining Winter/Spring shows are available now for advanced purchase using the PayPal link below.
Please note, for all shows, doors open at 7:30 and the music starts at 8:00. If you would like to grab dinner before the concert, we highly recommend The Cuisine of Mark Connolly in downtown Plymouth!
Ticket price includes a $1 service fee.
All of us at Driftwood Folk Cafe would like to thank everyone for their support in helping us make our first full season a great success! This includes everyone from our volunteers to our patrons to our artists and our sponsors. We could not have done this without you!
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In Advance: Tickets are available for our fall season and may be purchased through PayPal (please use button above) - reserve your seats now! Please note, tickets will not be mailed. We will have a list at the door of pre-paid ticket holders, but ask that you print your receipt as proof-of-purchase and bring it to the show. There will be a $1 per ticket service charge added to online ticket sales. All sales are final. Please claim your seats by 7:45 pm, otherwise, they may be released as day of show sales.
Day of Show: Seats not reserved by pre-paid sales will be available at the door starting at 7:45 p.m.
We apologize for any inconvenience, but we accept only cash or checks at the door. Checks should be made payable to "Driftwood Folk Cafe".
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| Sat, March 13 |
8:00 pm |
Vance Gilbert with opening act Reed Waddle
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Kendall Hall at First Parish Church, Plymouth, MA |
more info
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| Sat, April 10 |
8:00 pm |
Vicki Genfan with opening act Jacob Johnson
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Kendall Hall at First Parish Church, Plymouth, MA |
more info
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| Sat, May 8 |
8:00 pm |
Co-bill: Beaucoup Blue and Kerri Powers
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Kendall Hall at First Parish Church, Plymouth, MA |
more info
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Event Details
- Sat, March 13
- Vance Gilbert with opening act Reed Waddle
- 8:00 pm
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Kendall Hall at First Parish Church, 19 Town Square, Plymouth, MA
(MAP)
- About Vance Gilbert:
Vance Gilbert burst onto the singer/songwriter scene in the early 90's when the buzz started spreading in the folk clubs of Boston about an ex-jazz singer who was knocking 'em dead at open mikes. The word spread of this Philadelphia-area born and raised performer to New York; Shawn Colvin invited Vance Gilbert to be special guest on her Fat City tour. Gilbert took audiences across the country by storm ("With the voice of an angel, the wit of a devil, and the guitar playing of a god, it was enough to earn him that rarity: an encore for an opener" wrote the Fort Worth Star-Telegram in it's review of a show from that tour). Gilbert's three albums for the Rounder/Philo label - EDGEWISE (1994), FUGITIVES (1995), and the celebrated, arrestingly sparse SHAKING OFF GRAVITY (1998) - are all essential additions to the American singer-songwriter collection. With guests as varied as Tuck and Patti, Jonatha Brooke, Patty Larkin, Dee Carstensen, Vinx, and Jane Siberry, all three albums found significant niches on NAC (New Adult Contemporary) and Non-Commercial A3 (Adult Album Alternative) radio. These discs were followed by the selfreleased SOMERVILLE LIVE (2000), his live recording lionized by the Boston Globe as the disc "young songwriters should study the way law students cram for bar exams", and ONE THRU FOURTEEN (2002), a stylistically varied tour de force that New York's Town and Village calls "lively, eclectic, electrifying and transcending.” Follow that with SIDE OF THE ROAD (2003), a duo album with Ellis Paul, lauded as “haunting, artful, and lovely" by Boston Magazine and nominated for a 2004 Boston Music Award.
About Reed Waddle:
"More poetic and more emotional than practically any other act playing right now. In a period of pop stars devoid of any emotion, the soulful lyrics of Waddle shine through as a bright spot on a barren plain." Neufutr's James McQuiston
Reed Waddle is an artist who has arrived "Piece by Piece". His fourth album finds the constantly evolving singer songwriter at the peak of his melodic dexterity, fusing highly emotional soundscapes with a wide palette of memorable pop/rock anthems. His lyrical vision & depth invites comparison by many as a modern day Van Morrison melding into "a similar relaxed soulfulness that recalls Boz Scaggs best work that at the end of the day, any day, sounds great" Joe Hartlaub (Music-reviewer.com)
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In order to help insure an enjoyable experience for all, all seats are issued subject to the following terms and conditions of Driftwood Folk Café:
*No admission without payment. Tickets may be purchased in advance at www.driftwoodfolkcafe.com on the home page as well as in the calendar section. You may also buy seats when doors open the day of the show, subject to availability.
*In rare circumstances, such as the illness of an artist(s) or poor weather conditions, Driftwood Folk Café reserves the right to change or cancel the show.
*Refunds will be issued, or seats exchanged, only in the extreme case of a show cancellation.
*Driftwood Folk Café reserves the right to refuse admission or to eject a patron for behavior likely to create injury, nuisance or annoyance or for failure to comply with the reasonable requests of the venue.
*Driftwood Folk Café reserves the right to refuse admission or to eject a patron for behavior likely to jeopardize the safety of the patrons or performers.
*As a courtesy to the performers and other patrons, please turn off or silence all cell phones, pagers and other audible devices.
*The use of cameras or recording equipment is permitted by artist and venue consent only. Flash photography is not allowed, except by staff and press. Permitted photography must be taken in such a way as to avoid any disruption or distraction for patrons or performers. If an artist requests a 'no camera' policy, it will be honored by Driftwood Folk Café and patrons alike.
*Driftwood Folk Café does not accept responsibility for loss or damage of personal property brought into the venue.
*Driftwood Folk Café will not be liable for unforeseen or indirect loss or injury.
*Appropriate attire is required. Shorts, jeans, sandals, tank tops and t-shirts are absolutely fine, but no shirt, no shoes, no admission, and no exceptions.
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| Date |
Featured Performer |
Opening Act |
| September 13, 2008 |
Natalia Zukerman |
Trina Hamlin |
| October 11, 2008 |
Cliff Eberhardt |
Teresa Storch |
| November 1st, 2008 (Co-Bill) |
Chris O'Brien and Anne Heaton |
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| December 13th, 2008 |
Brooks Williams |
Danielle Miraglia |
| February 7th, 2009 |
Greg Greenway |
Amy Petty |
| March 14, 2009 |
Ellis |
Carlyn Hutchins |
| April 11, 2009 |
The Kennedys |
Mike Morris |
| April 25, 2009 |
Gretchen Peters |
Lisa Martin |
| May 9, 2009 |
Jason Spooner Trio |
Sam Chase |
| September 12, 2009 |
Pat Wictor |
Rob Mattson |
| October 10, 2009 |
SONiA of disappear fear |
Lara Herscovitch |
| November 21, 2009 |
The Lindsay Mac Band |
Caleb Hawley |
| December 12, 2009 |
Antje Duvekot |
Chuck E. Costa |
| January 23, 2010 |
Red Molly |
Jenny Goodspeed |
| February 6, 2010 |
Melissa Ferrick |
Mal Blum |
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